Carter Burwell has locked in dates at Abbey Road Recording Studios to record and mix the score for this movie “Wild Horse Nine” directed by Martin McDonagh. The score will have guitar and ensemble recorded in Studio 2 at Abbey Road. Filmed and set on Rapa Nui the film has epic visuals and a thriller plot.

Abbey Road Studio 2.

Carter Burwell considers Trackdown Australia for feature film scoring project. Currently not signed on just speculative but looks like it will happen. Fingers crossed. Australian project. Will likely mix in New York City and the engineer will likely be Alex Venguer https://alexvenguer.com/ .

Carter Burwell in London recording and mixing “Good Fortune”. Choir and orchestra recorded over two days. Simon Rhodes engineer. Created “Struck Guitar” as developmental virtual instrument for the movie “Honey Don’t”.

Carter Burwell has two movies slated. “Good Fortune” directed by Aziz Ansari and “Honey Don’t” directed by Ethan Coen and produced by a Working Title Film. it looks like “Good Fortune” will be recorded in London at Abbey Road Studios with Simon Rhodes engineering, and “Honey Don’t” to be recorded in New York at Power Station at BerkleeNYC, with Alex Venguer engineering. Which reminds me of the guitar method books by William Leavitt, “A Modern Method For Guitar Volume 1 and 2.” These books put me through some paces at the time (1981) with Phil Jack at Music Headquarters Newcastle, Australia. It was great fun, I watched Phil trim his beard quite a bit, and eat Chinese food, and become the biggest seller of Peavey equipment in NSW, and we mostly played “Too Much Fandango” by Ritzi. I studied Don Andrew’s Plectrum Method. And once I was no longer a guitar newbie, it took years, and knew how to trim a beard and order Chinese food, my learning the trade with Phil became learning the fingers, the fortunate experience of studying classical methods with master classical guitarist Steve Cowley. Steve evoked the dedicated artist and I played Lobos and others slowly for a few years, thank you Steve! And not forget Phil Sketchley who prevailed to teach me theory, and harmony, and celebrated my original compositions for theatre in Australia. Shout out to Miss Ingles of Lambton High School who challenged my nervous disposition and celebrated my creative music learning.

I hear Phil Jack’s son has a music shop in Carrington, NSW Australia beauty mate! Next time I am in Newcastle I will be in with my cash! See you then, I will be looking for a great deal and 1985 prices. My first item will be a new Mesa Boogie 60w for $999. Let’s go.

I have developed a finger style of playing that draws on a life time playing guitar. Please check out @stuffyforsummer Instagram – where I have over 150 improvised clips of original music with some Marley and Miles now and then. I play now and then in New York. I am still a Melody Refugee.

Directed by Ethan Coen. Recorded and mixed at Power Station at BerkleeNYC, NY. March and April, 2023.

Alex Venguer Recording Engineer, Power Station at BerkleeNYC, Studio G.

Carter Burwell Composer, Power Station at BerkleeNYC, Studio G.

The score for Misanthrope composed by Carter Burwell recorded in New York City at Power Station at Berklee NYC during summer 2022. Currently preparing for NYC and Nashville recording of the score for the movie “The Finestkind”.

In support of the 25th Anniversary of the Minutemen’s Double Nickels on the Dime. Playing through a great Vox amplifier the band loaned me.

The story: The Village Voice.

https://www.villagevoice.com/2009/07/27/live-25th-anniversary-of-the-minutemens-double-nickels-on-the-dime-at-the-bowery-poetry-club/

The video:

Currently creating sound design for “Hajj” 50th Anniversary of Mabou Mines Theater Company. Clove Galilee will play She, a solo performed reading at Performance Space, NYC.

More details coming soon. “Banshees of Inisherin” scheduled to record at Abbey Road, England in May, 2022.

The project “Catherine, Called Birdy” was recorded at Studio 9 North Adams, MA as well as Power Station New York, NY. The completely vocal score composed by Carter Burwell was performed by Roomful of Teeth. The score was co-produced by Carter Burwell and Dean Parker.